Montreal’s hip hop scene has vastly gone unnoticed in the grand scheme of Canadian music, often because of language barriers or simply it having very little to offer back to already-established rap communities – however, that’s all changed. In addition to having already worked with Kaytranada, Wasiu bounced over to ATL to work with Key! and Father, as well as Chicago’s Lil Herb and Vic Mensa, taking his sound to new heights. Noteable called “the hip hop voice of Montreal” by i-D Magazine, more recently, Wasiu took a moment to reflect on his own city through MTliens, of course a name derived from OutKast’s ATLiens. Filled with conceptual ideas and musical dynamism, the well-rounded 8-track EP serves as just a snippet this Montreal artist has to offer. – Erin Lowers
Wasiu will be performing at Live at the Square at Yonge & Dundas Square on September 19. Follow Wasiu. @AfroWasiu
Being from Montreal, can you describe the music scene around you?
The music scene that I’m involved in would be a subculture of hip hop that we call the Piu Piu Movement. It’s called that because it’s space music. It is, however, predominantly a beat-scene.
What is your favorite thing about where you live or the part of the city you are from?
I love living in Pie-IX because there’s a ballpark near my crib. The city’s most aggressive players ball there, which I guess is because Montreal-North is right around the corner. Dudes from that area are hyper-masculine and strive to be the best. I usually go out to a spot called Apt. 200 and hang with the homies over there at night. It’s dope because it’s a club, but feels like a lounge. It’s actually a performance venue with a house party type of feel. They even got arcades in there. They’re branching out to Toronto soon too, [it] should be marvelous. In terms of food, the obvious answer is the classic poutine. I be eating at the Halal spots a lot too, like this one place called MTL Star. We go to La Banquise for Poutine.
How have you seen art and creativity directly impact the area of the city you live in?
Honestly, where I live, the kids only listen to either Chicago-drill music or trap music. You wouldn’t see as many kids with dreads before, but now there’s so many of them. They have an idea in their heads of what the top dude is supposed to look like, and what stripes he’s supposed to have, [and] from these two genres that they feel like they associate with the closest. From their hairstyles, to what they wear, and slang that they adopt; I guess you can say an art form is behind those influences.
What do you think that you as a creative person brings to the table that is different than other artists?
I feel as if a lot of artists are consistently trying to chase what’s popping right now, and they just adapt with the times. For me, I just listen to what’s out, and listen to all the classics that were out from the past, [and] then I try to study both and find middle ground between them. I want to be able to appease to the legends that I grew up listening to, but I also want the young generation to acknowledge me as one of the current greats who has potential to be in conversations of “all-time lists.” I want every generation to listen to my material and feel a superior force being emitted to them.
Why is it important for you to take part in the Manifesto festival?
I make music, and it’s important that it gets heard by everybody. My first album is the one that I’ve been writing my whole life, [and] it’s been filled with songs from different periods of my life. It’s unreleased, it’s missing maybe 4 tracks that I have ideas for but don’t have completed yet. I will release that LP/full-length album once I feel as if it’s perfect. In the meantime, while we wait for that to drop, I want people to still get an idea of what I can do, what I stand for, and to just familiarize themselves with me. That way, since I already have eyes on me, I can drop a finished studio album on them. It’s important for me to play Manifesto because Toronto is an important city. A bridged gap, a connected and unified Montreal-Toronto would be a strong front for the North.
If you were to name a Canadian rap song that embodies our hip hop landscape, what would it be?
Drake – “Worst Behaviour.” That embodies our hip hop landscape 100%. They never loved us, never took us serious until Drake took over hip hop. America always used to clown us, and the idea of a Canadian rapper – they’d scoff at it. Drake has changed all of that, and “Worst Behaviour” has the best hook to express how to feel towards the perception they had of us.
LISTEN: Wasiu – MTLiens